A small atelier on the edge of Florentin, producing fixtures in brass, bronze, alabaster and hand-blown glass — one project at a time, in collaboration with the people who will live with them.
Helios was the lamp the atelier opened with — a single hemispherical alabaster diffuser cradled in a hand-spun brass yoke, with a soft 2700K core that warms a dining room without flattening it. Seven years on, every Helios still leaves the bench with the same number on it. We have not made one quickly yet.
Nine families, made to order in our atelier. Specifications shown for stock options — every fixture can be re-finished, re-scaled or hybridised in conversation with the studio.
Six rooms — residences, a hotel suite, a gallery, a bistro, a small home, a jeweller's atelier — each lit slowly, in collaboration with the people who use them.
Give us a room and a brief. We will recommend a specification — output, colour temperature, fixtures and a starting budget — drawn from how we would actually plan it in studio.
The atelier opened on Ha-Arba'a in 2019, in a single ground-floor room that had been a sail-maker's loft. Today we are seven — three machinists, two glassmakers, an electrical specifier and a studio coordinator — and we still work at the same long oak bench. We make about thirty fixtures a month. We have never sub-contracted a casting.
If you have a room or a brief in mind, leave us the outlines. We reply, by hand, within forty-eight hours.
Sunday through Thursday, between 10:00 and 18:00, we set aside one-hour slots for a quiet showroom tour, a longer private consultation, or a trade-only preview of the next collection. We will make coffee.
Ha-Arba'a 11, Tel Aviv 6473911 · @lume.atelier
Short essays — on materials, on light, on the small problems the atelier is solving this month.
We have re-machined the brass yoke for the seventh time this year. It is now 4mm thinner where it meets the cord, and 0.2mm thicker at the alabaster collar. A reader will not see the difference. A glassmaker will.
For five years our default temperature has been 2700K. This spring, after a long conversation with a colourist in Berlin, we are moving the default to 2400K — closer to a candle, gentler on a dining table after midnight.
A 38-kilogram alabaster block arrives once a month from Volterra. We open it at the bench, photograph the section, and let the room decide which fixture each cut will become.